#Norah jones outkast album cover free

By the ’90s, Blue Note had shown its ability to evolve with the changing jazz landscape, notably putting out James Hurt’s improvisational, hip-hop-adjacent debut Dark Grooves, Mystical Rhythms (1999).īlue Note was the label Jones - born Geethali Norah Jones Shankar to famed sitarist Ravi Shankar and concert producer Sue Jones - wanted to be on, despite the fact that there was no precedent for the type of genre-blended pop music she planned to release. Its busiest decades were the 1950s and ’60s, where they released recordings by genre standard-bearers Bud Powell, Hank Mobley, Sonny Rollins, John Coltrane, Dexter Gordon, Art Blakey, Herbie Hancock, Cecil Taylor, and dozens more.

#Norah jones outkast album cover free

But, on top of winning literally all of the major Grammys in 2003 and being an immaculate fusion of jazz, pop, country, folk, and blues, it’s important to remember that Come Away With Me was a game-changer for its record label, the famed jazz incubator Blue Note, which, until then, had never released an album as unjazzy as Jones’.įounded in 1939, Blue Note Records was originally best known for “hard bop” jazz before expanding outwards to avant-garde and free jazz. I knew that it was beautiful and cozy and felt excited about there being an entire record my mom and I could enjoy together.

When Norah Jones’ debut album Come Away With Me first hit 20 years ago, I admittedly did not grasp its revolutionary status.